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 حصريا فتلر البيانو الخيال Rhythmic Robot Jennings KONTAKT-KRock يشتغل على الفروتى لوبس

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مُساهمةموضوع: حصريا فتلر البيانو الخيال Rhythmic Robot Jennings KONTAKT-KRock يشتغل على الفروتى لوبس   الثلاثاء 23 أكتوبر 2012 - 20:53


Rhythmic Robot Jennings KONTAKT-KRock | 242.62MB
Sounds
from the dawn of the synth age: the Jennings Univox all-valve
synthesiser. Welcome to a sound from 1946. A sound that once echoed
around The Cavern in Liverpool, coaxed into life by the fingers (and
knees...) of the Beatles. A sound that in 1962 defined a number 1 chart
topper with no words – the world's first synth-pop hit. A sound designed
by a music technology legend, but which has been sleeping, forgotten,
lost in the mists of time... until now...


Jennings
is a meticulously faithful recreation of one of the very first
synthesisers, the valve-based Jennings Univox. The Univox was designed
in 1946 by Derek Underdown and Tom Jennings, who went on to create Vox
amplifiers and define the guitar sound of a generation. It was
manufactured in the 50s and 60s along the same lines as its
contemporary, the Clavioline, as a gigging keyboard for bands to use to
supplement the basic acoustic piano that most pubs and clubs offered. To
this end it was designed with portability in mind: it had its own
onboard amplification, and packed into its own suitcase for transport,
while the keyboard portion of the synth was detachable and designed to
fit just under and in front of a piano keyboard.

It generated a
rich, warm, analogue wave (more or less a sawtooth) which could be
processed, adjusted and filtered using 12 "tabs" along the front of the
keyboard. These were not simply organ stops; they altered the base
waveform rather than adding to it (with the exception of Tab N, "Sub
Osc", which does add a sub-oscillator). Some tabs engaged filters or
tilt-EQs; some clipped the waveform or otherwise distorted it; some
added or enhanced a percussive transient peak for greater definition.
Using different combinations of these tabs, over 2000 different voicings
could be created (before factoring in vibrato settings!), while a
knee-lever controlled the output volume on the fly for a surprisingly
expressive playing experience.

The Jennings Taster Pack contains
six patches created with Jennings, our 1946-vintage valve synthesiser.
The full version of Jennings gives you multi-mode filters, envelopes,
over 2000 starting waves via 11 front-panel tabs, 'Compliance Mode', a
full effects section, and much more. We're hoping you'll try the taster
and then want the real thing!

The Taster Pack has a few controls to spice up those six starting points:
-
Mod > Volume: turn this on, and your modulation wheel will control
the volume of the patch. Great for tremolo wobbles, swells, fades etc.
- Mono or Poly – pretty self-explanatory, we hope!
- Tone: this engages a 4-pole low-pass filter, to give you some basic scope for tailoring the sound.

It also has a couple of limitations:
- The samples are 16-bit only. All our full instruments are 24-bit.
- Fewer samples. The main instrument is sampled chromatically, every key for 5 octaves... many, many times :-)
-
The samples are not looped. But, they are long: 16 to 20 seconds each.
We do all our looping by hand so it's seamless, and that takes time;
again, on the main instrument, each of the hundreds of samples is
hand-looped.

- Kontakt .nki sampler instrument for Native Instruments Kontakt
- Sampled at full 24-bit
- Requires NI Kontakt version 4.2.3 or later (including Kontakt 5 and above)
- Not compatible with Kontakt Player


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